Non Martial Arts Adian Movoes in the Last 10 Years

Although continuously snubbed by critics and festivals, activity movies still retain their popularity among mainstream audiences in particular, while a number of them frequently cross towards the cult category. The gold age of these movies, which parallels the pick of Hong Kong cinema and specially of companies similar Shaw Brothers, Golden Harvest and Milkyway Prototype, is long since gone. However, first-class productions proceed to be released every twelvemonth, with the scepters having been passed on to the ASEAN countries, particularly after the immense success of "The Raid", which essentially kick-started a whole trend. At the same time, China/Hong Kong and S. Korea continue to release blockbusters of the category, while Japan always has the anime/manga adaptations, which frequently testify quite successful.

In an effort to select some of the all-time action/martial arts movies of the decade (2011-2020), we came upward with 40 we felt were the ones that truly stand up out in terms of quality, impact and sheer amusement they offered. The club of this listing could be different of course and the number much bigger, just our effort was towards presenting not bad films and non cataloguing all of them, always with a focus on multifariousness in style, themes, origin, and filmmaker

*past clicking on the titles you can cheque the full reviews

40. The Gangster, The Cop, The Devil (Lee Won-tae, 2019, South Korea)

In the end, "The Gangster, The Cop, The Devil" is a tense, entertaining thriller. Fans of the genre, of suspenseful chases and the serial killer-films will find a lot to like in Lee Won-tae'due south motion-picture show. (Rouven Lin)

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39. Monstrum (Huh Jong-ho, 2018, Due south Korea)

the execution of the film is truly magnificent. The action scenes (both hand-to-hand and those against the monster) are impressive, with the combination of choreography, SFX, cinematography and sound resulting in an astonishing audiovisual experience. The fact that these scenes appear in affluence in the flick is the greatest asset of the product, and in conjunction with the relatively small duration (105 minutes), retain the interest from beginning to end. (Panos Kotzathanasis)

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38. Rampant (Kim Sung-hoon, 2018, Republic of korea)

There was quite a lot to similar with 'Rampant.' Amongst its finest qualities is the manner in which the zombie outbreak is being loosened upon the populace, infecting the outer regions of their control and slowly working towards the capital. With a special rename into Demons which is advisable enough for the time period of the picture, the action on brandish takes on most a wuxia form of interplay, courtesy of Action Choreographer Kim Tae-kang. As this includes some fascinating jumping and wirework stunts with the infected shown to be quite athletic in improver to more traditional shambling hordes style zombies, there'due south plenty to similar with the rampaging hordes loosened upon the city, creating all sorts of havoc. (Don Anelli)

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37. Maria (Pedring Lopez, 2019, Philippines)

"Maria" is tearing, sexy, and a more than worthy entry to the female person vigilante subgenre that all fans of activity films volition bask. (Panos Kotzathanasis)

36. Furie (Le Van Kiet, 2019, Vietnam)

"Furie" doesn't break barriers, nor does it effort to, simply what information technology does well is tell a familiar story through the female perspective and give the audition a tirade of thrilling, almost non-finish action sequences skilfully planned and executed, while also introducing a much wider audience to the hidden Vietnamese treasure that is action star Veronica Ngo. More of this, please! (Rhythm Zaveri)

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35. Telephone call Of Heroes (Benny Chan, 2016, Hong Kong)

Featuring Sammo Hung every bit the activity manager, Benny Chan as the managing director, Ching Wan Lau, Wu Jing and Louis Koo as the protagonists and with a budget of $32 meg, "Call of Heroes" was bound to be an activeness blockbuster. To my surprise, however, it managed to exist even more. (Panos Kotzathanasis)

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34. Time to Hunt (Yoon Sung-hyun, 2020, Republic of korea)

"Time to Hunt" is a film that lives to its title. In this adrenaline laden genre picture with a wild torso count, the tempo accelerates mercilessly in a never-ending hunt. Yoon Sung-hyun might be influenced by many directors, both from Asia and the Us (well-nigh notably by James Cameron'due south "Terminator", and according to his own words by Spielberg'southward "Jaws" in terms of building the suspense), but his third feature production that has just had its globe premiere at the Berlinale (Special Gala department) has the two traditions merging into a curious hybrid. (Marina D. Richter)

33. We Will Non Die Tonight (Richard Somes, 2016, Philippines)

It is e'er nice to watch an action/martial arts film that does not agree its punches dorsum, and "We Will Not Die This night" does only that, through a violent, dark and "dirty" approach that benefits the category to the fullest. If you lot like your action films brutal, dark, and dingy, you have to search no further than "We Volition Not Die Tonight", definitely ane of the best activeness films of the year. (Panos Kotzathanasis)

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32. Operation Red Sea (Dante Lam, 2018, Cathay)

"Operation Ruby-red Sea" offers everything a fan of action blockbusters would always with from the genre, and that is where the true value for i of the greatest entries in the category lies. (Panos Kotzathanasis)

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31. Bhavesh Joshi Superhero (Vikramaditya Motwane, 2018, India)

While the film didn't light the box role on burn down, mainly due to a poor marketing campaign, "Bhavesh Joshi Superhero" remains an entertaining, realistic and believable superhero origin film with strong production values, marred slightly by mediocre acting. It needs a far bigger audience that it will most certainly notice on online streaming services and domicile video. Hopefully that might ignite talks of a much needed sequel. (Rhythm Zaveri)

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Source: https://asianmoviepulse.com/2021/03/the-40-best-action-martial-arts-of-the-decade-2011-2020/

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